FUGITIVE PIECES.

[]

—coacta prodire.

WRITTEN BY J. P. KEMBLE

YORK: PRINTED BY W. BLANCHARD AND CO. FOR THE AUTHOR, AND SOLD BY FIELDING AND WALKER, LONDON; AND T. WILSON AND SON, AND N. FROBISHER, YORK, MDCCLXXX.

PREFACE.

[]

I Declare I hardly know how to ſay what juſtice to myſelf obliges me to ſay.—The public hears daily of ſo many unlucky Poets, who become publiſhers from the ſame fate that ranges me in their claſs, that I am apprehenſive the truth, when told, will not ſerve me as an apology, but the effect of conſtraint be reputed the wiſh of preſumption.

The courſe of my ſtudies firſt gave me a taſte for Poetry, and the ſweetneſs of the art inſpired me with an inclination to improve it.—The few who ſaw my verſes [vi] ſaid they liked them, and would ſometimes aſk for a copy of what they had ſeen.—The firſt pleaſure I know is to pleaſe; and indeed I thought complying with their requeſts an eaſy return for the obligation of their praiſe.—They had copies, and in their high opinion of me gave copies to others, who ſoon circulated ſome of my pieces, as particular favours to particular friends, through half a dozen editions, of which three or four were generally very incorrect.

To prevent this evil from ſpreading, I have here collected in one ſmall book thoſe verſes of which I have ever given [vii] copies, as far as remembrance and poſſeſſion have permitted me.

All parents have a partiality to their own child—ſo every Writer has a partiality to the productions of his own brain, that would rather they were ſeen in a perfect than an imperfect ſituation— and when a man's writings must unavoidably be delivered into the hands of the public, a decent reſpect for his own character, and good manners to his fellowcreatures will oblige him to endeavour, as much as poſſiible, that they may not excite a contempt for himſelf, nor be entirely uſeleſs and diſguſting to his readers.

FUGITIVE PIECES.

[]

HEBE's BIRTH-DAY.
ADDRESSED TO Miss—

THE Queen of Paphos' flow'ry groves
Aſcends her dove-borne car;
Cupid, the Graces, and the Loves
Shed odours thro' the air.
[2]Soon Cytherea reach'd the ſkies;
Each God that day was there—
She rais'd to Jove her wat'ry eyes,
And thus prefer'd her pray'r:
"No more mankind invokes my pow'r,
"Nor ardent vows ariſe
"From doting boſoms, love's no more,
"My Cupid's influence dies.
"His bow, his arrows he has thrown
"Quite uſeleſs from his arms—
"See, where the Siſter Graces moan
"In negligence of charms.
"To-day ſprings forth to life below
"A Babe of honour'd line;
"There let each God ſome boon beſtow,
"And ſtamp the Nymph divine."
[3]She ſpoke—Jove gave th'aſſenting nod,
His thunders took their way;
He then commanded that each God
The Queen of Love obey.
Firſt came the Graces hand in hand
And gave her all their eaſe,
O'er ev'ry heart ſupreme command
And elegance to pleaſe.
Apollo and the Muſes Nine
Their heav'nly gifts impart,
Wit, muſic, poeſy divine
And ſenſe to form the heart,
Jove gave his light'ning to her eyes,
Gav Bacchus laſting youth,
Momus with laughter ſhook the ſkies
And added ſmiling truth.
[4] Cupid heard all—but knew not how
The ſky's applauſe to gain,
Till in her ſmiles he ſpy'd his bow,
And bad it there remain.
Venus tranſported ſaw the Maid,
And, her delight to prove,
Cupid, attend on her, ſhe ſaid,
For Hebe's Queen of Love.

MAY.

[5]
HOW joyful the golden-treſs'd God thro' the ſky
Diffuſes his all-forming ray!—
See, the temperate hours, as round him they fly,
Drop roſes to crown the new May.
Each many-plum'd ſongſter that lives in yon grove
Gives voice to his green-kirtled ſpray,
And when he pours forth, the ſoft tale of his love,
Concludes with a ſonnet to May.
The brooks that ſweet vi'lets and thyme flow among
Their babbling courſe wantonly ſtay,
Till hearing the chorus of Nature's glad ſong
They purl on in honour of May.
Nor let me forget while enraptur'd I ſing
The honour that's due to this day—
To heighten the tranſports I taſte in the Spring,
I'll make Hebe Queen of the May.

THE WISH.

[6]
ARchly-ſmiling, dimpled Boy,
Son of Venus, God of Love,
Grant my heart, the ſeat of joy,
May thy temple ever prove!
Let me ſing and laugh all day,
Sweetly paſs my nights away,
Then ariſing taſte with you
Bleſſings laſting, Raptures new!

HEBE.

[7]
LOOK to my lambkins—once again
Daphnis ſhall try the Sylvan ſtrain—
And fetch me, boy, the fav'rite pipe I hung
Love-lorn on yonder elm; it oft has rung
In happier days
With Hebe's praiſe,
Till vallies, and hills, and the woods all around
To yon river in concert re-echo'd the ſound,
Which love-freighted bore the name
Far adown his winding ſtream,
Repeating it with fond delay,
While from bank to bank the joy
Spread till—Where's my pipe, my boy—
Till like my hopes, alas! it dy'd away.
[8]Why do I ſigh?
Doſt know, my pipe?—Nowſpeak—I've caught the ſound
That lifts me high,
That bids me run my wonted careleſs round
Bids me again to kinder fair one's rove,
And Hebe leave who ſlights my proffer'd love

THE INCONSTANT.

[9]
ARound the plain ſecure I rov'd,
With ev'ry nymph wou'd toy,
Wou'd laugh and kiſs—but never lov'd
Beyond the moment's joy.
Cupid reſolv'd to ſnare my heart
Each blooming Beauty tries,
But ſent the love-inſpiring dart
From Hebe's ſparkling eyes.
Since then I've lov'd—but lov'd in vain,
Gay grandeur charms my fair—
She ſcorns my ſighs—Ah! Iuckleſsſwain,
Thy portion is deſpair.

SALLY OF THE MEAD.

[10]
ONE morn when nymphs and ſwains were gay
And danc'd upon the green,
From mirth poor Jemmy fled away
To mourn his lot unſeen—
In tears the am'rous Boy complains
Cloſe by the murm'ring Tweed,
The ſad, ſad burthen of his ſtrains
Was Sally of the Mead.
My Sally did each nymph ſurpaſs
Who trips the flow'ry plain,
Once ſhe was thought the lovelieſt laſs,
And I the happieſt ſwain—
[11]To pleaſe her was my ſole employ,
To her I tun'd my reed,
And, morn and eve, my only joy
Was Sally of the Mead.
While yet the morn was clad in grey
I roſe to court her love,
Thro' flow'ry fields I took my way
And then her garland wove—
Tho' Roſe and Lily both were there
To deck her charming head,
That was leſs ſweet, and this leſs fair
Than Sally of the Mead.
Now ſhe no more ſhall glad my eyes,
No more my ſong inſpire,
From me the faithleſs fair one flies
To bleſs the richer 'Squire—
[12]Yet may her heart know nought but joy,
Nor e'er repent this deed—
Jemmy can lay him down—and die
For Sally of the Mead.

ODE AD SOMNUM.

[13]
QUEM mihi ſemper reperi vocanti,
Somne, praeſentem, poſito ſub umbra
Poſco nunc adſis, gravium laborum,
Dulce lenimen.
Tu mari merſus Lybico notâſti
Dum polos magni, Palinure, vires
Morpheos nôſti properantis in te
Triſtia fata.
An prius dicam rabidae Junonis
Furias victas, vigilemque monte
Somniis Iûs Dominum ſolutum
Lumina centum?
[14]
Quin Jovem magnum, Superûm Parentem
Vincit en Morpheus— et aguntur omni
Troës e campo, ſuperante Somno
Fulmina coeli.
En Deus, voto toties vocatus
Supplici, ſegnis comitatus aſtat
Somniis vanis, oculos cruentos
Vertice merſus!
Fert manu virgam, tacitaeque Lethes
Poculo facto Stygiâ cupreſſu
Rora; circumdat gravidum papaver
Tempora rugis
Indecora—illum comitatur ales
Noctis—in Vatem leviore tractu
Serpit, et vincit lyricas amantem
Tangere chordas.

OCCASIONAL PROLOGUE TO A PLAY ACTED FOR THE BENEFIT OF THE INFIRMARY IN LEEDS.

[15]
SOON as Compaſſion—Glory of our Iſle—
With modeſt elegance had rais'd yon pile,
Where kindly Science to each aching grief,
Each ſad miſchance adminiſters relief,
Commerce beheld it—and her looks confeſt
The ſprightly joy that danc'd within her breaſt—
Thus Commerce ſung—"To you, my children, peace!"—
She ſung—and ſmiling wav'd her GOLDEN FLEECE—
"'Tis youre, my ſons, with tend'reſt care to heal
"The varied mis'ries Poverty may feel;
[16]"'Tis yours the ſinking ſrame of Age to rear,
"'Tis yours to ſhed the ſympathetic Tear,
"'Tis yours Misfortune's keeneſt pangs to eaſe—
"And yours ſhall be the meed of acts like theſe.
"While this bright ſun illumes the face of day,
"While yonder moon reflects one ſilver ray,
"So long Abundance ſhall your gueſt remain
"To deck the board, and whiſtle o'er the plain.
"Quickly with her, of ev'ry good the Queen,
"White Peace her gentle ſiſter ſhall be ſeen.
"I ſee her now deſcending from the ſky
"To baniſh War and bid Rebellion fly.
"Induſtry now has all my ſails unfurl'd,
"Now ſends my honeſt treaſures o'er the world;
"Now pleas'd the minds of either Inde I view
"Reſign, my ſons, their many ſtores to you—
[17]"For you are bounteous as the Hand of Heav'n,
"And feel why riches were to mortals giv'n."
Thus Commerce ſung—and here in furtive verſe
Have I preſum'd the carol to rehearſe—.
Where praiſe is merited, let praiſe be giv'n—
To honour virtue is to act like Heav'n.
And ſure your gen'rous deeds may well demand
That Angels ſing them to the liſt'ning land;
For mindful ever of wealth's firſt, beſt end,
You bid the Poor in you behold a FRIEND.

OCCASIONAL PROLOGUE TO THE FOUNDLING, ACTED AT THE THEATRE-ROYAL in YORK, FOR THE BENEFIT OF THE LUNATIC ASYLUM.

[18]
FROM the mild regions of her native ſky,
O'er BRITAIN'S Iſle ſweet Pity caſt her eye—
She caſt—and Sorrow heav'd her melting breaſt,
As to her view pale Sickneſs ſtood confeſt.
Here treach'rous Waſte attains her end by ſtealth,
And, flatt'ring, ſlowly ſaps the baſe of health.
There Fevers ſhoot through ev'ry ſwelling vein,
Now fire the lawleſs blood, now rack the brain.—
[19]
Daughter of Hell, a direr fiend than War,
With haſty ſtride Plague ruſhes from afar!—
Her ſavage pleaſure grows on ſpreading death,
And Parent Nations orphan'd by her breath.
Who ſits on yonder ſtone with hollow eye
And hand out-ſtretch'd, imploring charity?
'Tis hungry Famine—"Thou ſhalt aſk no more,"
Cry'd one—"but die, and ſhame that rich man's door."—
Who was't ſo cry'd?—The Monarch of the Dead,
As from yon grave he rear'd his meagre head.
Pity with ſmiles beheld his friendly blow,
And hail'd him—Curer of a cureleſs woe.—
She ſpoke, and foaming Phrenzy darted by,
Strength in his hand, and murder in his eye—
Sadly ſhe ſigh'd, and as ſhe turn'd away
Heard calmer Melancholy's penſive lay—
[20]The love-lorn Virgin, wand'ring thro' the gloom
Of yew-bound church-yards and the mould'ring tomb,
Sung to the Moon of "Marg'ret's grimly ghoſt,"
Of Henry's broken vows, and Emma loſt.
Here Pity wept—and from her tears aroſe
A kind ASYLUM for the mad-one's woes.
Hail to the wond'rous art that can diſpenſe
The genial floods of renovated ſenſe!
And bleſſings crown your breaſts who feel theſe woes,
As far the heavieſt human nature knows!

EPILOGUE TO BELISARIUS.

[21]
THey're buſy yonder—ſo I've ſlip'd away
To give you my opinion of the Play.
'Tis very, very low—and on my life
Bayes makes ſad blunders with his injur'd Wife:
There's not a ſpark of breeding in her nature,
A doting, doleful, humdrum, pretty creature!—
He and our ill-bred Manager 'tis clear
Want to invade the charters of the fair;
Wou'd have us ſilent—bid us keep our houſes—
Inſtruct our families—and love our ſpouſes—
But we know better—thanks to education,
Example, foreign manners, and the faſhion.
[22]Stay—I'll recount my ſuff'rings one by one,
Then be you judges what I ſhould have done.
Three years from bed and board did Marcus ſtay—
I'd ſerv'd him rightly had I gone aſtray.
A fool!—To foreign climes for battles roam?—
Faith, the beſt battles may be fought at home.
Well—he returns—gives credit to a lie,
Becomes a bubble—and his wife muſt die.
Thank Fate, our Lords aſk gentler expiation,
They wou'd n't wiſh to murder half the nation—
Madam's divorc'd, lives with her country friends,
He finds a Miſtreſs, and the ſquabble ends.—
Next Beliſarius in a frantic mood
Reſolves to waſh my guilt out with my blood—
A pretty life between them both I lead
And the plague is, I never did the deed.
[23]"Think of my ſame"—"My fondneſs,"—ſays the other,
And adds, "Ah! how unlike thy virtuous Mother!"
Unlike indeed!—What Belle can bear the road
In which her prim Progenetrix has trod?—
Next—But I'll not repeat ſuch odious ſtuff—
I'm ſure you've heard abſurdity enough.
Theſe my objections to the Bard I made
Before his Be—li—ſa—ri—us was play'd—
Wou'd you believe it?—Says the taſteleſs creature,
"Madam, I always ſtrive to copy Nature."

ECLOGUE.* NIGHT. DESPAIR.
ADDRESSED TO MRS.—.

[24]
HIS ſportive lambs repos'd in gentle reſt,
Thus Daphnis ſung the ſorrows of his breaſt—
"Ah me! the day—when o'er the jocund green
"Daphnis the firſt to lead the dance was ſeen.....
"On blytheſome reed the frolic round I play'd,
"Envy'd by ſwains, admir'd by ev'ry maid;
[25]"To liſt my ſtrains my lambs have left their food,
"And fondly ſeem'd to ſay my ſtrains were good—
"Oh! they were ſweet—my pipe was tun'd to love,
"And Hebe's name made vocal ev'ry grove.
"Thoſe joys are paſt—no more the tinkling ſtream
"Shall ſtay its courſe to dwell on that lov'd name;
"No more the vale my merry notes ſhall hear......
"Far other feelings wait upon deſpair.
"Hebe, how oft I've bruſh'd the gliſt'ring dew,
"And pluck'd the pride of vernal morns for you!—
"The virgin Lily, with the bluſhing Roſe,
"And blue-ey'd Vi'let for your wreath I choſe,
"And, while I bound it on your temples, ſtole
"Kiſſes that thrill'd with rapture to my ſoul!—
"Am I not now as fair as when you ſaid
"A lovelier youth ne'er bleſs'd a happy maid?
[26]"Alas! ſome other ſwain has caught your eye—
"He cannot be ſo true, ſo fond as I.
"Unmov'd cou'd Daphnis hear his Hebe moan!
"No—He'd bewail her ſorrows as his own;
"On the green turf he'd ſeat him by his dear,
"Give for each look, a ſigh—each ſigh, a tear;
"The lovely mourner to his boſom preſs,
"Partake the cauſe, and leſſen her diſtreſs......
"But wherefore witleſs do I thus complain?
"Relentleſs Hebe laughs at all my pain—
"Why wake my lambkins?—Sure they cannot know,
"They heed not, feel not for their maſter's woe.
"Some happier youth at dawn with careful crook
"Shall guide you bleeting to the limpid brook;
"Shall tend a-field the fleecy flocks I bred,
"Pride of the vale, and riches of the mead—
[27]"My Friends, my Father, and my native Home,
"This tear is yours—to diſtant plains I roam—
"A dieu the well-known rill, the field, the grove!—
"Abſence perhaps may ſoothe the pangs of Love."
Night check'd her yoke to hear the artleſs ſwain,
And wept that faithful Love ſhould love in vain.

A PICTURE OF HELEN.
TO THE RIGHT HONOURABLE LADY—

[28]
REpentant Helen ſought the ſilent ſhade,
And wept to think what ruin ſhe had made.
Reflection ſhews a Huſband's injur'd peace,
Hears the deep carſes of unpeopled Greece,
Points to the ſtory of her ruin'd fame,
And future ages ſhudd'ring at her name.
Lovely in guilt the great Adult'reſs ſtood,
Saw Phrygia's plains imbru'd with Hector's blood,
[29]Saw the ſlain Partner of her lawleſs joy,
A murder'd Priam, and a ſlaming Troy.
She heav'd a groan, and clos'd her tear-ſtain'd eye
Leſt ſhe might ſee the Grecian Heroes die—
In vain—Patroclus riſes to her fight,
Dreſs'd in the reddeſt horrors of the fight:
Link'd with his friend the great Achilles roſe,
The tow'r of Greece, and terror of her foes:
Stern Ajax frown'd upon the gory field,
Longing in death to graſp Pelides' ſhield—
Vainly ſhe ſtrives to put them from her mind,
Her guilt hears groans in ev'ry whiſp'ring wind;
See plated Mars, high on his crimſon car
Laugh 'midſt the ſpreading tumult of the war;
Now ſees the Greeks and now the Trojans fly,
And hears one death-fraught thunder rend the ſky.—
[30]She heard—and ſtruck with horror at the ſcene.
On earth's cold boſom ſunk the hapleſs Queen.
In duteous haſte her virgin's round her preſs,
Heave ſigh for ſigh, and grieve for her diſtreſs;
Anxious each balm to ſooth her woes they ſeek,
And bid its native roſes tinge her cheek.
Fruitleſs their care—In tears they raiſe her head,
Where Lilies wept their ſiſter Roſes dead.
Hark!—the kind ſtreamlet from the neighb'ring trees
In gentle murmurs chides the noiſy breeze—
The noiſy breeze the ſweet reproof obey'd,
Beheld the Fair, and dy'd along the glade.
Behold her, thou, whoſe paſſions long to rove
Careleſs of honour and connubial love,
And learn that, though enamour'd of her charms
Her doating Lord had ta'en her to his arms
[31]Again, reſtor'd her to his bed and throne,
And to the world acknowledg'd her his own—
Yet not his pardon, nor his throne combin'd
Cou'd eaſe the pangs that agoniz'd her mind.

EPITAPHIUM.

[32]
SISTE viator!
Hic ſepulta jacent oſſa
JOSEPHI INCHBALD, HISTRIONIS
Qui aequalium ſuorum
In Fictis Scaenarum facile Princeps evaſit,
Virtutiſque in Veris Vitae claruit exemplar.
Procul eſte, invida Superſtitio,
Et mala ſuadens religionis turbidus Amor!—
Veſtris enim ingratiis, hic lapis omnibus praedicabit,
Quòd in his humi ſacrae carceribus
Vir recti ſemper tenax,
Sociis charus, in pauperes benignus,
Pater optimus, Maritus fidelis,
[33]Societatis jurum in cunctis obſervantiſſimus
Otii guadium, necnon ſeriorum ornamentum,
Expectans
De clementiâ Numinis immortalis
Aeternâ frui felicitate
Requieſcit.
JOSEPHUS INCHBALD
Annum agens quadrageſimum quartum
Octavo iduum Junii
Mortem obiit
Anno MDCCLXXIX.

ODE TO THE MEMORY OF MR. INCHBALD.

[34]
WHAT time the weak-ey'd Owl, on twilight wing
Slow borne, her veſper ſcream'd to Eve; and rouz'd
The lazy wing of Bat
With Beetle's ſullen hum,
Friendſhip, and ſhe, the maid of penſive mien,
Pale Melancholy point my ſorrowing ſteps
To meditate the dead
And give my Friend a tear.
[35]Here let me panſe—and pay that tear I owe:
Silent it trickles down my cheek, and drops
Upon the recent ſod
That lightly claſps his heart.
But ah! how vain—Nor flatt'ry's pow'r, nor wealth's,
Nor friendſhip's tear, nor widow'd ANNA'S VOICE,
Sweet as the harps of Heav'n,
Can move the tyrant Death.
Hence ye impure!—for hark—around his grave
The Siſters chaſte, the Siſters whom he lov'd,
In nine-fold cadence
Chaunt immortal harmony.
'Tis done—'tis done —The well-earn'd laurel ſpreads
Its verdant foliage o'er his honour'd clay:
Again the Muſes ſing—
Thalia's was the deed.
[36]Thou honeſt man, farewell!—I wou'd not ſtain
Thy worth with praiſe—yet not the bright-hair'd King'
Who wooes the roſy morn,
And west'ring ſkirts the ſky
With ruddy gold and purple, e'er ſhall ſee
Thy likeneſs—nor yon paly Creſcent call
Her weeping dews to kiſs
A turf more lov'd than thine.

THE CIRCASSIAN.
To Miss—.

[37]
JOVE lately took it in his head
To give the Gods a maſquerade,
And ſent his footman Hermes out
With Cards to aſk them to the rout.
Iris, a milliner of taſte,
Hand-bills ſent forth thro' Heav'n in haſte,
To tell the Goddeſſes ſhe'd laid in
Freſh goods againſt the maſquerading.
The Ladies all were in a pother,
And hoping each to outvie t'other
Bade her make up their ſilks and laces—
Venus employ'd the Siſter Graces:
[38]Who all agreed Love's Queen ſhould dreſs
As a CIRCASSIAN Shepherdeſs—
The Graces always fancy well—
Quick to their work the Siſters fell,
Finiſh'd it in a day or two,
Try'd it on Venus, and withdrew......
Who beg'd them firſt with earneſt pray'r
To come next day and dreſs her hair:
Then in her kirtle tripp'd about,
And ſoon with this or that fell out;
Till, vex'd to death, young Cupid cries
"You Ladies are ſuch oddities!—
"I'm ſure, Mama, you quite miſtake it,
"It fits as neat as hands can make it,
"There's not a ſingle thread amiſs"—
She ſmil'd—and gave the Boy a kiſs;
[39]When bolder grown, by Slyx he ſwore
"She ne'er look'd half ſo well before."—
To bed ſhe went—thought all was right—
But cou'd n't ſleep a wink that night.
Next ev'ning came the Graces three,
And Venus had 'em in to tea,
(In great-ones nothing ſhews ſo well
As 'haviour kind and affable.)
Well—after pitying the Moon
For tripping with Endymion;
And calling royal Juno ſcold,
And twenty harmleſs tales o'ertold—
Says Venus looking at her watch,
"Ladies, egad we muſt diſpatch,
"For ſee—it's almoſt nine o'clock—
"Euphroſyne, come ſmooth this lock
[40]"Paſithea reach my dreſſing gown,
"Thalia take my toupée down,
"And let its ringlets kiſs my head
"Looſe, as when on wat'ry bed
"In ſmiles I woke to life divine—
"And here and there a roſe entwine
"Adown that braid"—Says Miſs," I doubt it
"Won't look ſo well as 'twould without it,
"Theſe threads of gold"—"I will have one,
"Miſs Grace, you know it's quite the Ton."
(So it is poſſible we ſee
That Ton and Grace may diſagree)
Her locks ethereal now were dreſt......
"Come, bring me my Circaſſian veſt."
"Where is it, Ma'am?—"I'th' middle drawer"—
Puſithea went—her Siſters ſaw her
[41]Turn pale—ſhe cries, "we're all undone"—
"How ſo?"—"Lord, Ma'am, the dreſs is gone."—
The Graces ſobbings can't be painted......
Poor Venus only ſigh'd—and fainted.
"Here, reach the Hartſhorn Drops," ſays one—
"Freſh water," t'other—t'other "run
"For Eſculapius"—"Greater need
"Of Doctor Phaebus"—"He dont bleed,
"Alas!" cries one—"and in this caſe
"She ſhould be bled"—Ay"—"Cut her lace."—
Nothing was done of all they ſaid,
For each commanded, none obey'd.—
Here Cupid with his play-mate came.
Soft Ganymede, to ſee the Dame.
For Venus, knowing not a chair
That night in Heav'n wou'd be to ſpare,
[42]Nor coach for love or coin be had,
Very politely told the Lad
That he ſhould be her 'Squire, and ride
That night with Cupid at her ſide
In her own chariot, drawn by Doves,
And lackied by a thouſand Loves—
Ent'ring her room, the Fair they found
Riſing recover'd from the ground.
Arch Cupid, looking earneſt at her,
Climb'd on her knee, and "what's the matter,
"Mama?" ſays he—"My pretty Boy,
"My dreſs, my pride, my only joy
"Is gone, is gone."—"Mama, what dreſs?"—
"Why, my new PERSIAN Shepherdeſs!......
"The beſt CIRCASSIAN prankt with pink
"Was it?—"Ay, ay"—The Graces wink—
[43] Gan ſhook his head, and Venus ſigh'd
And roguiſh Cupid laughing cry'd,
"That habit, Ma'am, I gave away
"To lively Sappho"—"When?—"To-day—
"The truth-bearing Graces there
"(The Graces nurs'd my blooming Fair)
"But yeſter ev'ning ſaid they knew
"She wou'd look lovelier in't than you.
Venus and Cupid 'gan to ſcold,
While Gany flew to Heav'n and told
The Gods the tale—"And ſee," he ſaid,
Pointing to earth,"ſee there's the Maid,
"The ſweet CIRCASSIAN, my ſworn Brother
"Thinks ſo much lovelier than his Mother."—
"Is that the Maid?" ſays Jove—"I find
"Our couſin Cupid is n't blind......
[44]"For tho' the Rogue forgot his duty,
"Yet he's a perfect judge of Beauty."
FINIS.
Notes
*
This is the laſt of four Eclogues—MORNING—NOON— EVENING—NIGHT—It is the only one of them publiſhed at preſent becauſe no friend of mine has yet diſtributed to his friend any copies of the others.
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TextGrid Repository (2016). TEI. 5068 Fugitive pieces Written by J P Kemble. . University of Oxford, License: Distributed by the University of Oxford under a Creative Commons Attribution-ShareAlike 3.0 Unported License [http://creativecommons.org/licenses/by-sa/3.0/]. https://hdl.handle.net/11378/0000-0005-DAF7-F